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Oil Paintings Come From United Kingdom
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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.

 

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Anthony Van Dyck Robert Rich oil painting

Painting ID::  90834

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Anthony Van Dyck
Robert Rich
from 1632(1632) until 1641(1641) Medium oil on canvas Dimensions 208 x 128 cm (81.9 x 50.4 in) cyf
   
   
     

 

 

Anthony Van Dyck Self Portrait oil painting

Painting ID::  90932

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Anthony Van Dyck
Self Portrait
ca. 1623 Medium English: Oil on Canvas cjr
   
   
     

 

 

Anthony Van Dyck Portrat der Charlotte Butkens, Herrin von Anoy, mit ihrem Sohn oil painting

Painting ID::  91208

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Anthony Van Dyck
Portrat der Charlotte Butkens, Herrin von Anoy, mit ihrem Sohn
c. 1631 Medium oil on canvas Dimensions Deutsch: 200 x 120 cm cjr
   
   
     

 

 

Anthony Van Dyck Portrait of an Alderman oil painting

Painting ID::  92610

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Anthony Van Dyck
Portrait of an Alderman
Oil on canvas with paper extension Dimensions 25 x 19 5/8 in. (63.5 x 49.8 cm) cjr
   
   
     

 

 

Anthony Van Dyck Portrat des Bildhauers Francois Duquesnoy oil painting

Painting ID::  94035

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Anthony Van Dyck
Portrat des Bildhauers Francois Duquesnoy
between 1700(1700) and 1734(1734) Medium oil on canvas Dimensions 77,5 x 61 cm cjr
   
   
     

 

 

Anthony Van Dyck Sir Anthony van Dyck oil painting

Painting ID::  94324

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Anthony Van Dyck
Sir Anthony van Dyck
after 1633(1633) Medium Oil on canvas Dimensions 584 x 730mm (23 x 28 1/4") cjr
   
   
     

 

 

Anthony Van Dyck Jugendliches Selbstportrat oil painting

Painting ID::  94325

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Anthony Van Dyck
Jugendliches Selbstportrat
43 x 33 cm c. 1613-1614 cjr
   
   
     

 

 

Anthony Van Dyck Portrat der Familie Lomellini oil painting

Painting ID::  94326

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Anthony Van Dyck
Portrat der Familie Lomellini
oil on canvas Dimensions Deutsch: 269 x 254 cm 1623 cjr
   
   
     

 

 

Anthony Van Dyck Louvre oil painting

Painting ID::  94327

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Anthony Van Dyck
Louvre
H. 2.66 m (104 ½ in.), W. 2.07 m (81 ¼ in.) Oil on canvas, ca. 1635. cjr
   
   
     

 

 

Anthony Van Dyck Portrat der Konigin Henrietta Maria, mit Zwerg Sir Jeffrey Hudson oil painting

Painting ID::  94328

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Anthony Van Dyck
Portrat der Konigin Henrietta Maria, mit Zwerg Sir Jeffrey Hudson
1633(1633) Medium oil on canvas Dimensions 220 x 135 cm (86.6 x 53.1 in) cjr
   
   
     

 

 

Anthony Van Dyck Simson und Dalila oil painting

Painting ID::  94329

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Anthony Van Dyck
Simson und Dalila
1st third of 17th century Medium oil on canvas Dimensions 148 x 257 cm (58.3 x 101.2 in) cjr
   
   
     

 

 

Anthony Van Dyck Self-portrait oil painting

Painting ID::  94330

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Anthony Van Dyck
Self-portrait
painting cjr
   
   
     

 

 

Anthony Van Dyck Portrat der Marchesa Elena Grimaldi, Gattin des Marchese Nicola Cattaneo. oil painting

Painting ID::  94331

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Anthony Van Dyck
Portrat der Marchesa Elena Grimaldi, Gattin des Marchese Nicola Cattaneo.
c. 1623 Medium oil on canvas Dimensions Deutsch: 246 x 173 cm cjr
   
   
     

 

 

Anthony Van Dyck The Rest on The Flight into Egypt oil painting

Painting ID::  94332

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Anthony Van Dyck
The Rest on The Flight into Egypt
circa 1630(1630) Medium oil on canvas Dimensions 135 x 115 cm (53.1 x 45.3 in) cjr
   
   
     

 

 

Anthony Van Dyck Portrat der Marie-Louise de Tassis oil painting

Painting ID::  94333

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Anthony Van Dyck
Portrat der Marie-Louise de Tassis
c. 1630 Medium oil on canvas Dimensions Deutsch: 120 x 93 cm cjr
   
   
     

 

 

Anthony Van Dyck Princess Henrietta Maria of France, Queen consort of England. This is the first portrait of Henrietta Maria painted oil painting

Painting ID::  94334

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Anthony Van Dyck
Princess Henrietta Maria of France, Queen consort of England. This is the first portrait of Henrietta Maria painted
1632(1632) cjr
   
   
     

 

 

Anthony Van Dyck A Family Group oil painting

Painting ID::  94335

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Anthony Van Dyck
A Family Group
1634(1634) Medium painting cjr
   
   
     

 

 

Anthony Van Dyck Portrait of Sir George Digby, 2nd Earl of Bristol, English Royalist politician oil painting

Painting ID::  94336

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Anthony Van Dyck
Portrait of Sir George Digby, 2nd Earl of Bristol, English Royalist politician
cjr
   
   
     

 

 

Anthony Van Dyck Saint Ambrose barring Theodosius I from Milan Cathedral oil painting

Painting ID::  95947

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Anthony Van Dyck
Saint Ambrose barring Theodosius I from Milan Cathedral
between 1619(1619) and 1620(1620) Medium oil on canvas Dimensions 147 x 114 cm (57.9 x 44.9 in) cyf
   
   
     

 

 

Anthony Van Dyck Lady Elizabeth Thimbelby and her Sister oil painting

Painting ID::  96307

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Anthony Van Dyck
Lady Elizabeth Thimbelby and her Sister
circa 1637(1637) Medium oil on canvas Dimensions 132 X 150 cm cyf
   
   
     

 

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Anthony Van Dyck
Dutch 1599-1641 Anthony Van Dyck Locations Flemish painter and draughtsman, active also in Italy and England. He was the leading Flemish painter after Rubens in the first half of the 17th century and in the 18th century was often considered no less than his match. A number of van Dyck studies in oil of characterful heads were included in Rubens estate inventory in 1640, where they were distinguished neither in quality nor in purpose from those stocked by the older master. Although frustrated as a designer of tapestry and, with an almost solitary exception, as a deviser of palatial decoration, van Dyck succeeded brilliantly as an etcher. He was also skilled at organizing reproductive engravers in Antwerp to publish his works, in particular The Iconography (c. 1632-44), comprising scores of contemporary etched and engraved portraits, eventually numbering 100, by which election he revived the Renaissance tradition of promoting images of uomini illustri. His fame as a portrait painter in the cities of the southern Netherlands, as well as in London, Genoa, Rome and Palermo, has never been outshone; and from at least the early 18th century his full-length portraits were especially prized in Genoese, British and Flemish houses, where they were appreciated as much for their own sake as for the identities and families of the sitters.